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(via paranoid)

likeafieldmouse:

Cy Twombly (Works dating from 1959-72)

1. Untitled

2. Nini’s Painting

3. Fifty Days at Iliam: Achaeans in Battle

4. Untitled

5. Poems to the Sea

6. Leda and the Swan Rome

carbonislife:

Éditions du lic ❘ deterministic® ❘ carbonislife®

likeafieldmouse:

Aires Mateus

whose atmosphere is less transparently clear

asfaltics:

image
*
(back cover, rotated 90º, cropped and minus watermark at left)
ex Henrietta P. Keith and Eleanor A. Cummins. Practical Studies: Interior Decoration and Furnishing. 1906
Princeton copy, digitized May 4, 2009 

The eye is not unconsciously educated, by the contemplation of the subtle gradations of tone, which belong to the landscape of countries whose atmosphere is less transparently clear, than ours.
page 24
 

likeafieldmouse:

John Knuth - Master Plan (2014) - Watercolor, gouache, flyspeck and acrylic on canvas

For anyone who doesn’t know (because I didn’t & had to look it up), flyspeck is the stain left by the excrement of a fly. 

"The artist feeds watercolor paint to hundreds of thousands of common houseflies. The flies regurgitate the paint on the canvas. As they eat, they digest externally. Every time they land on a surface of something there is a chance they will deposit what they just ate on that surface. That mark is called a flyspeck.

To control this process, the artist builds boxes that limit the flies’ movements to the surface area of the canvas. The final paintings are comprised of millions of small dots of paint, determined by inevitable deposits of these flies. While created with a degree of chance, the artist, through research and continued refinement of his process, is largely in control of where and to what amount the paint is applied.

The colorful paintings reside in a space between landscape and abstraction. For Knuth, they are analogous to the man-made infrastructure of Los Angeles, with denser areas next to marks that are sparser and sprawl about the canvas.”

likeafieldmouse:

Joe Reihsen - Arctic Circle (2014)

likeafieldmouse:

Joe Reihsen - Arctic Circle (2014)

likeafieldmouse:

Debbie Han - The Mass of Perception (2010)

(via paranoid)

likeafieldmouse:

Nicola Samori - Intus: Crystals of Crisis (2014)

If the ambition of my painting, says Samori, is to awaken from the sleep-dimensional, the aspiration of my sculpture is sometimes to make a clean sweep of the image, banishing the findings from the floor and digging volumes from within.

THEME BY PARTI